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TheMatch Color command matches colors between multiple images, between multiplelayers, or between multiple selections. It also lets you adjustthe colors in an image by changing the luminance, changing the colorrange, and neutralizing a color cast. The Match Color command worksonly in RGB mode.
Note:
When you use the Match Colorcommand, the pointer becomes the Eyedropper tool. Use the Eyedroppertool while adjusting the image to view the color pixel values inthe Info panel. This panel gives you feedback about changes in colorvalues as you use the Match Color command. See Viewcolor values in an image.
The Match Color commandmatches the colors in one image (the source image) with colors inanother image (the target image). Match Color is useful when you’retrying to make the colors in different photos consistent, or whencertain colors (such as skin tones) in one image must match thecolors in another image.
In addition to matching the colorbetween two images, the Match Color command can match the colorbetween different layers in the same image.
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(Optional)Make a selection in the source and target images.
If you don’t make a selection, then the Match Color commandmatches the overall image statistics between images.
Make the image that you want to change active, and thenchoose Image > Adjustments > Match Color.
If you’re applying the Match Color command to a specificlayer in the target image, make sure that layer is active when youchoose the Match Color command.
From the Source menu in the Image Statistics area ofthe Match Color dialog box, choose the source image whose colorsyou’ll be matching in the target image. Choose None when you don’twant to reference a different image to calculate the color adjustment.With None chosen, the target image and the source image are thesame.
If necessary, use the Layer menu to choose the layer fromthe source image whose colors you want to match. You can also chooseMerged from the Layer menu to match the colors from all the layersin the source image.
If you made a selection in the image, do one or moreof the following:
In the Destination Image area, select IgnoreSelection When Applying Adjustment if you’re applying the adjustmentto the entire target image. This option ignores the selection inthe target image and applies the adjustment to the entire targetimage.
In the Image Statistics area, select Use SelectionIn Source To Calculate Colors if you made a selection in the sourceimage and want to use the colors in the selection to compute theadjustment. Deselect this option to ignore the selection in thesource image, and use the colors from the entire source image tocompute the adjustment.
In the Image Statistics area, select Use SelectionIn Target To Calculate Adjustment if you made a selection in thetarget image and want to use the colors in the selection to calculatethe adjustment. Deselect this option to ignore the selection inthe target image and compute the adjustment by using the colorsof the entire target image.
To automatically remove a color cast in the target image,select the Neutralize option. Make sure that the Preview optionis selected so that your image is updated as you make adjustments.
To increase or decrease the brightness in the targetimage, move the Luminance slider. Alternatively, enter a value inthe Luminance box. The maximum value is 200, the minimum is 1, andthe default is 100.
To adjust the color saturation in the target image, adjustthe Color Intensity slider. Alternatively, enter a value in theColor Intensity box. The maximum value is 200, the minimum is 1(which produces a grayscale image), and the default is 100.
To control the amount of adjustment applied to the image,move the Fade slider. Moving the slider to the right reduces theadjustment.
(Optional) Make a selectionin the layer you want to match. Use this method when matching acolor region (for example, facial skin tones) in one layer with aregion in another.
If you don’t make a selection, then the Match Color matchesthe colors of the entire source layer.
Make sure that the layer you want to target (apply thecolor adjustment to) is active, and then choose Image >Adjustments > Match Color.
From the Source menu in the Image Statistics area ofthe Match Color dialog box, make sure that the image in the Sourcemenu is the same as the target image.
Use the Layer menu to choose the layer whose colors youwant to match. You can also choose Merged from the Layer menu tomatch the colors from all the layers.
If you made a selection in the image, do one or moreof the following:
In the Destination Image area, select IgnoreSelection When Applying Adjustment if you’re applying the adjustmentto the entire target layer. This option ignores the selection inthe target layer and applies the adjustment to the entire targetlayer.
In the Image Statistics area, select Use SelectionIn Source To Calculate Colors if you made a selection in the sourceimage and want to use the color in the selection to compute theadjustment. Deselect this option to ignore the selection in thesource layer and use the colors in the entire source layer to computethe adjustment.
In the Image Statistics area, select Use SelectionIn Target To Calculate Adjustment if you want to use only the colorsin the selected area of the target layer to compute the adjustment.Deselect this option to ignore the selection and use the colorsof the entire target layer to compute the adjustment.
To automatically remove a color cast in the target layer, select the Neutralize option. Make sure that the Preview option is selected so that your image is updated as you make adjustments.
To increase or decrease the brightness in the targetlayer, move the Luminance slider. Alternatively, enter a value inthe Luminance box. The maximum value is 200, the minimum is 1, andthe default is 100.
To adjust the range of color pixel values in the targetlayer, adjust the Color Intensity slider. Alternatively, enter avalue in the Color Intensity box. The maximum value is 200,the minimum is 1 (which produces a grayscale image), andthe default is 100.
To control the amount of adjustment applied to the image,adjust the Fade slider. Moving the slider to the right reduces theamount of adjustment.
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Save and apply settings in theMatch Color command
In the Image Statistics areaof the Match Color dialog box, click the Save Statistics button.Name and save the settings.
In the Image Statistics area of the Match Color dialogbox, click the Load Statistics button. Locate and load the savedsettings file.
Photoshop provides several techniques thatlet you replace the colors of objects. For great flexibility andresults, apply a Hue/Saturation adjustment to selected objects.For less flexibility but a convenient grouping of options, use theReplace Color dialog box. For speed but less precision, try theColor Replacement tool.
Video tutorial: Change the color of an object
Video tutorial: Change the color of an object
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Apply a Hue/Saturation adjustmentto selected objects
In most cases, this flexible technique bestreplaces colors. Because masks and adjustment layers are non-destructive,you can later fine-tune the results with complete freedom. A uniqueColorize option makes absolute, rather than relative, color changes(avoiding tinting from original colors).
Select the object you want to change. The Quick Selection tool often produces good results. For additional techniques, see Select a color range and Refine selection edges.
In the Adjustments panel, click the Hue/Saturation icon.
The selection becomes a mask on the adjustment layer.
In the Properties panel, change Hue and Saturation settings to replace the object’s color. If the original color tints the new color, select Colorize, and readjust settings. (See Adjust hue and saturation.)
Note:
Leave the Lightness setting at zero tomaintain contrast. To maintain both contrast and saturation, selectthe Hue blending mode for the adjustment layer.
If necessary, enlarge or reduce the affected area by painting on the mask with white or black. (See Edit a layer mask.)
For more information, see Adjustmentspanel overview.
TheReplace Color dialog box combines tools for selecting a color rangewith HSL sliders for replacing that color. You can also choose thereplacement color in the Color Picker.
Replace Color lacksthe Colorize option from the Hue/Saturation adjustment, which maybe needed for a complete color change. You may also find the adjustmentlayer technique easier for changing specific objects. However, the ReplaceColor command is good for global color changes—especially changing out-of-gamutcolors for printing.
(Optional) If you are selecting similar, contiguuouscolors in the image, select Localized Color Clusters to build amore accurate mask.
Displays the mask in the preview box. Masked areas areblack, and unmasked areas are white. Partially masked areas (areascovered with a semitransparent mask) appear as varying levels ofgray according to their opacity.
Displays the image in the preview box. This option isuseful when you are working with a magnified image or have limitedscreen space.
To select the colors that you want to replace, use theEyedropper tool to clickin the image or in the preview box to select the areas exposed bythe mask.
Shift-click or use the Add To Sample Eyedroppertool toadd areas.
Alt-click (Windows), Option-click (Mac OS),or use the Subtract From Sample Eyedropper tool toremove areas.
Click the Selection Color swatch to open the ColorPicker. Use the Color Picker to target the color you want replaced.As you select a color in the Color Picker, the mask in the previewbox is updated.
Drag the Fuzziness slider or enter a Fuzziness valueto control the degree to which related colors are included in theselection.
Specify a Replacement color by doing either of the following:
Drag the Hue, Saturation, and Lightnesssliders (or enter values in the text boxes).
Double-click the Result swatch and use the ColorPicker to select the replacement color.
Note:
You cannot replace pure gray, black,or white with a color. However, you can change the Lightness setting.(The Hue and Saturation settings are relative to existing color,so they have no effect.)
(Optional) Click Save to store settings you will laterload for other images.
The Color Replacement tool paints over a targeted color with a replacement color. While this tool is good for quick edits, it often proves unsatisfactory, particularly with dark colors and black. If you don’t get good results after experimenting with tool options, see Adjust hue and saturation.
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Select the Color Replacement tool . (Ifthe tool isn’t visible, access it by holding down the Brush tool.)
In the options bar, choose a brush tip. Generally, youshould keep the blending mode set to Color.
For the Sampling option, choose one of the following:
Samples colors continuously as you drag.
Replaces the targeted color only in areas containing the color that you first click.
Replaces only areas containing the current backgroundcolor.
From the Limits menu, select one of the following:
Replaces the sampled color wherever it occurs under the pointer.
Replaces colors that are contiguous with the color immediately under the pointer.
Replaces connected areas containing the sampled colorwhile better preserving the sharpness of shape edges.
For Tolerance, choose a low percentage to replace colorsvery similar to the pixel you click, or raise the percentage toreplace a broader range of colors.
To produce a smooth edge in the corrected areas, selectAnti-aliased.
Choose a foreground color to replace the unwanted color.(See Choosecolors in the toolbox.)
Note:
If the range of replaced colors is toosmall, increase the Tolerance setting in the options bar.
Selectivecolor correction is a technique used by high-end scanners and separationprograms to change the amount of process colors in each of the primarycolor components in an image. You can modify the amount of a process colorin any primary color selectively—without affectingthe other primary colors. For example, you can use selective colorcorrection to dramatically decrease the cyan in the green componentof an image while leaving the cyan in the blue component unaltered.
Eventhough Selective Color uses CMYK colors to correct an image, youcan use it on RGB images.
Make sure that the composite channel is selectedin the Channels panel. The Selective Color adjustment is availableonly when you’re viewing the composite channel.
Click the Selective Color icon in the Adjustments panel.
Choose Layer > New Adjustment Layer > Selective Color. Click OK in the New Layer dialog box.
Note:
You can also choose Image > Adjustments > SelectiveColor. But keep in mind that this method makes direct adjustmentsto the image layer and discards image information.
Choose the color you want to adjust from the Colors menu in the Properties panel. You can also choose a Preset that you’ve saved.
In the Properties panel, choose a Selective Color preset from the Preset menu.
Changes the existing amount of cyan, magenta, yellow,or black by its percentage of the total. For example, if you startwith a pixel that is 50% magenta and add 10%, 5% is added to themagenta (10% of 50% = 5%) for a total of 55% magenta. (This optioncannot adjust pure specular white, which contains no color components.)
Adjusts the color in absolute values. For example, if you start with a pixel that is 50% magenta and add 10%, the magenta ink is set to a total of 60%.
Note:
The adjustment is based on how close a color is to one of the options in the Colors menu. For example, 50% magenta is midway between white and pure magenta and receives a proportionate mix of corrections defined for the two colors.
Drag the sliders to increase or decrease the componentsin the selected color.
You can also save the settings you make for the SelectiveColor adjustment and reuse the settings on other images.
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